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The Baloney Detection Kit: Carl Sagan’s Rules for Bullshit-Busting and Critical Thinking
When you write a song, you have to remember how you felt.
You have to remember what his neck smelt like.
You have to remember all of it.
It wasn’t really until I met Blake, he taught me that, if you don’t go for things, if you don’t throw yourself into a situation, then you’ll never know what might have been.
Life is short.
She didn’t have any airs. She was real.
She was just a charming, sweet lady. She was raw, she was fast with a blue joke. Wasn’t afraid to roll a smoke. Had a big giant laugh. And just a sweetheart, you know.
I used to do Seroxat and it just made me really loopy, really scatty. I don’t think I knew what depression was. I know I felt funny sometimes and I was different. I think it’s a musician thing. That’s why I write music.
You know, I’m not like some messed up person. There are a lot of people that suffer depression, that don’t have an outlet, you know what I mean? That can’t pick up a guitar for an hour and feel better.
I don’t think I’m going to be at all famous. I don’t think I could handle it. I would probably go mad, I would go mad.
I wouldn’t write anything unless it’s personal to me. Just because I wouldn’t be able to tell the story right, because I wouldn’t have done it.
Even though some of it is personal in a sad way, I’d never let it just be that. I’ll always put a punchline in the song.
an interpretation of the world 